
Artists like Tom Petty may have enjoyed plenty of '80s success, but no one can ever lock their talents into just one decade.

Progressive rock band Genesis - during its early experimental phase - served as the training ground for two highly successful solo artists of the '80s. The group also established a successful decade as a trio, on the strength of songs like these.
A survey of pop music featured on '80s film soundtracks can certainly be an exercise in overindulgence, but if you're OK with that from the start, moderate treasures can be plentiful and welcome treats for the determined explorer. As a hockey fan, I'm a sucker for the 1986 Rob Lowe-Patrick Swayze vehicle Youngblood, the entertaining if occasionally hokey and dated story of a young hockey star finding his way and learning to be a man. Yeah, I know, that doesn't sound remotely original, but it's definitely the kind of movie tailor-made for the inspiring pop/rock of Mr. Mister. That group's "Something Real (Inside Me/Inside You)" makes a prominent appearance in the film and manages to stand up still today as an utterly decent and mostly unembarrassing example of the era's sonic excesses. I'm not going to try and sell you an argument that this is deeply profound stuff for the ages, but in the case of both the film and the song, you could do exponentially worse when it comes to the spending of your entertainment time and dollar. One warning: montage-phobic individuals should sprint for the exits.
Fans of mainstream rock and AOR during the '80s may not have always had a tremendous amount of quality to choose from, but such worthy music most certainly exists, as this track deftly proves. As a founding member and drummer of Traffic, Jim Capaldi made an immediate mark on the late-'60s rock music scene as both a songwriter and occasional singer. But the depth and longevity of this artist's solo career may come as a surprise to classic rock fans who never got a chance to hear this music on '80s rock radio.Capaldi may have adapted well to the synthesizers, big production and power rock guitars popular during the era, but his most impressive contributions on "Love Used to Be a Friend of Mine" stem from his far-reaching songwriting skills and his explosive, underrated lead vocals. This happens to be one of several tracks from Capaldi's 1988 release Some Come Running that could have been a major Top 40 hit as well as a mainstream rock staple. Unfortunately, though I listened to a very good classic rock radio station constantly during that period, I somehow failed to become familiar enough with these tunes to help support Capaldi's surely modest sales. Well now, it might just be time to rectify that, even if it is already five years after this great artist's early death.
Album Cover Image Courtesy of Island Records
Any day on which a musician closely associated with the '80s dies is a mighty sad one on this site, but March 1, 2010 was particularly nasty in taking away from us the man behind one of the greatest, most recognized bass lines of the decade. I don't know if he wrote the bass part or had any particular creative hand in the song, but Tom "T-Bone" Wolk - long-time bass player for '80s pop duo Hall & Oates - has always played an anonymous but major role in the pair's smash 1982 hit "Maneater." Unfortunately, Wolk's death at 58 from an apparent heart attack might be the first chance for many '80s music fans to put a name with the bass (or face, for that matter).Wolk served as stabilizing force and for many years as the band's music director, but many of us will always remember him fondly as the lanky dude with the hat from that song's music video as well as the clips from so many of the duo's other signature '80s hits. Sometimes it's all too easy to forget that our pop music legends have deep and dear supporting casts that help create the magic, but Wolk certainly deserved his day in the spotlight long before today's remembrances. Maybe we can all make up for it a bit by banishing "dude with the hat" from our customary descriptions of this beloved '80s musician.
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