It might not be accurate to label Elvis Costello strictly as an '80s artist, but only because he has been a distinctive presence in all four decades during which he has worked as a songwriter and performer. Still, the singer spread his most prolific period across nine years that stretched into the mid-'80s, releasing 11 albums of generally acclaimed music. Also, Costello reinvented himself and perfected multiple styles throughout the '80s, becoming a reliable, consistent artist and ultimately a legend. Heres a look at some of his best songs from the decade, a list as difficult to narrow down as any you may find.
Costello is one of those rare artists whose covers tend to sound as organic and deeply his own as any of his bountiful originals. Such is the case with this spirited take on the
Sam & Dave R&B nugget, one of the standout tracks on Costellos 1980 joyous soul music exploration,
Get Happy!! In fact, I must admit that the knowledge that this is indeed not a Costello original has only been mine for an embarrassingly short time, mainly because I never had reason to suspect otherwise. The groove laid down by the Attractions organ and rhythm section meshes perfectly with Costellos impassioned, convincing vocals.

That Elvis Costello has long been one of rocks finest singers is probably not a fact lost on many music fans, but its still worth discussing at every possibility. Buoyed by yet more evidence of this, the blue-eyed soul of this tune bursts exuberantly from the indelible piano opening and gallops along at an exhilarating pace, punctuated with typical aplomb by Costellos wordy but never unwelcome lyrics. This is soaring music that defies genre while simultaneously embracing the many styles Costello so clearly admires.

Although the name Elvis Costello often draws references as a solo artist, for much of the singers career his backing band, the Attractions, has played an undeniably significant part in communicating his songs to listeners. More great keyboards here form a mesmerizing tone both typical of Costellos broad style and fresh every time around. This track from 1981s
Trust casts an odd spell of slight menace and plenty of mystery, the closest perhaps Costello ever came to a full-fledged modus operandi.

Perhaps there has never been any question that Costello is a pop craftsman of the highest order. Nonetheless, a song like Beyond Belief proves beyond the slightest doubt that as a songwriter, Costello has a knack for transforming the listener to putty in his hands. Luckily, he rarely disappoints, and in this song from 1982s reliably impressive
Imperial Bedroom, he and the band truly squeeze all the marrow out of instrumental textures and rising tension. As usual, the lyrics can be frustratingly obscure, but the central lines of the chorus nonetheless ring with force, vigor and confidence.

In art, poetry and even music, sometimes its more than enough to be emotionally resonant even if literal meaning is baffling and evasive. For Costello, its a particularly good thing that many people find this to be the case, as this intricately layered tune demonstrates so clearly the singers ethereal appeal in the defiance of bedrock interpretations or explication. The raucous screams and guitar punch at the songs opening and closing likewise represent Costellos iconoclastic leanings, but the pure beauty of this tunes structure and the singers vocal delivery are what continue to endure.

If theres just one Elvis Costello song most listeners remember from the '80s, its probably this one. But dont hold that against the tune, a typically cerebral, conceptual entry in the songwriters deep catalogue. With lines that warn against finding strange hands in your sweater, the subject matter is appropriately dark and bitter, while the music wraps around the words with its beautiful intricacies. And while the song never cracked the charts in America, its status as an '80s classic proves what needs no confirmation, that an artist of Costellos stature has little need for the capricious nature of hit songs.

In all its folky, acoustic greatness, this song from 1986s
King of America album offers yet more literate observations from one of rocks musics most playful songwriters. Costellos singular vocal style and his lived-in mastery of melody take over once again here, delivering yet another languorous, completely pleasurable pop nugget. Besides, whom else could we depend upon for a delightful line like She said she was working for the ABC News, it was as much of the alphabet as she knew how to use? As usual, thats just the tip of the iceberg when it comes to Costellos joyful use of language.

Its possible to accuse Costellos songs of being a bit too busy at times, as they certainly hit the listener so often from so many directions with romantic melancholy, sophisticated metaphor, lyrical density, and emotionally rapturous melody. But when these aspects result so completely in a richly rewarding listening experience, just what exactly is there to complain about? In fact, when listening to Costellos best tunes, its easy to feel as though youre listening to a finale almost every song, as the result of the songwriters unbelievably refined sense of craftsmanship.
