During all eras of rock music, the name of any given band has at times been as important, if not more so, than the music it made. This was certainly the case for some '80s artists as well, but here's a look at a number of groups whose colorful names served as a solid reflection of their rich and vibrant musical output.
Aside from featuring two vibrant, major colors in its name, this underground Americana roots rock band kicks off this list with flair simply because of the utterly unique brand of music the group created. After starting off in the '80s with neo-psychedelic tendencies similar to the paisley underground movement, the band became a shambling forerunner of alternative country, years before the No Depression-style bands led by Uncle Tupelo began to emerge. Ultimately, this is a band that flew so far under the radar during the generally glitzy '80s that most music fans never knew to dig deep enough to find the treasure.
No, this was not a band of Sammy Hagar imitators (thanks to multiple deities on that one). Instead, this New Orleans-based group of post-punkers with obvious inclinations toward
the Clash and
U2 released some pretty solid music during the early '80s. Unfortunately, not much of it was heard on anything but the fringes of college radio, but the one tune that received modest mainstream airplay, "China," is undoubtedly an evocative classic of the era. New wave may have produced its share of shallow, even embarrassing knock-off bands, but the Red Rockers definitely never fit that description.
The mention of color in this band's name may have just as well referred to lead singer Mick Hucknall and his long, curly red locks. But there were far more interesting things about this vocalist in terms of his smooth voice applied so effectively to Simply Red's soul-pop No. 1 singles of the latter half of the '80s. The original composition "Holding Back the Years" and the cover of the soul classic "If You Don't Know Me By Now" were both slow dance favorites of the highest order, but Hucknall and the band have continued to be vital hitmakers in subsequent decades, an impressive show of longevity.
Though its name obviously could not have less to do with the warm color invoked by the word, this seminal Southern California hardcore punk band was always far more than it seemed at first glance. In fact, the group harbored such an impressive eclecticism and sense of musical versatility that 1986's
This Is the Voice, a broader, far less simplistic offering than the band's earlier work, did not alienate its core fan base in the least. The reason for this is that Agent Orange had continued to grow musically without compromising its maverick approach. This is highly listenable yet defiantly fierce rock music.
For much of the '80s the path of supergroups was a delicate and sometimes treacherous one, as cobbled-together bands from Asia to the Firm to Damn Yankees had their moments but also suffered from either bloated or watered-down missteps. In that light, this late-'80s, classic hard rock band led by former Thin Lizzy and Whitesnake guitarist John Sykes, made some remarkably solid music. Plus, the group sported a killer name that fit its big, sweeping, tremendously guitar-heavy sound courtesy of Mr. Sykes. Finally, there weren't many blistering power trios to go around during the '80s, that's for sure, which is another solid reason to recommend Blue Murder.
During the late '80s
college rock began to deepen its mutation into alternative rock, but the bridge between R.E.M. and Nirvana was largely forged by ethereal guitar pop bands like this Pennsylvania group. Although the decade was completely over before the band released its colorfully sublime follow-up
Cerulean in 1991, the Ocean Blue had already filled a niche of elegant, melodic pop that remains relevant today. "Drifting, Falling" may be the group's signature track, a hauntingly soulful tune that spotlights the poignant vocals of frontman David Schelzel.
There were a number of obscure Scottish bands during the '80s that would have been perfect fits on this list (Orange Juice and the Blue Nile come to mind), but I didn't want to neglect fully the achromatic colors. So I choose this relatively unheard group whose eclecticism is apparent by the decision to take the name of a Steely Dan song. Using soul and jazz influences to round out an inviting if unfairly ignored sound, the band navigated a unique path as interestingly as the Style Council but without the name clout Paul Weller brought that band. Oh well, this band is a hidden, and colorful, gem for you to dig up.
I must admit it was a toss-up between this band and similarly named Great White and Whitesnake. After all, it's difficult to distinguish between hair bands involving references to animals, highly amplified blues riffs and pouty posturing. So why go with this band with the bleached blond lead singer and not the other two? Well, it's not because of the brilliance of "When the Children Cry," I'll tell you that. Rather, since I already referenced Whitesnake above and Great White singer Jack Russell's voice can be irritating, I settle on White Lion. Plus, Mike Tramp's accent in "Wait" never fails to arouse laughter.