I considered immediately labeling this list Volume 1 with the expectation that it would be impossible to select just 10 English artists from '80s music to spotlight. That may still turn out to be true, but lets give it a shot, shall we? From synth pop to varying styles of post-punk alternative music, artists from England were busy on the '80s mainstream and cutting edge. In the process, they released much memorable music that commands rabid fandom still today. Here are 10 reasons why.
Although best known for contributions to a narrow '80s perception of goth music and fashion, this highly versatile group unfortunately and too often escapes proper accolades for its devotion to songcraft. Robert Smith & Co. quite simply produced some of the most enduring tunes of the era, a catalogue that often surprises with its diversity and demonstration of stylistic mastery. Alternately lush and spare, songs like
Boys Dont Cry,
In Between Days and
Close to Me offer sundry delights.
One of the '80s most prominent and popular bands, this Birmingham-based group rode a music video wave to massive popularity in the U.S., spotlighting the photogenic qualities of lead singer Simon Le Bon and bassist John Taylor. Although the bands music was often a pleasant diversion at best, its impossible to deny the central role Duran Duran continues to play as guardians of '80s nostalgia.
Hungry Like the Wolf and
Rio left indelible visual and aural imprints on the eras music fans.
This underrated New Romantic outfit made some special contributions to '80s culture, from the heavy-blush makeup style of its members to the rather forward-looking gender equity exhibited in both vocal duties and the wearing of said makeup. But for me the main draw for these synth pop masters was the booming vocal style of Philip Oakey, whose pipes provided singular moments on the monster hits
Dont You Want Me and
Human.
Although its a bit of a misnomer to call Costello an '80s artist or to link him to any one genre, this highly literate and versatile singer-songwriter was nonetheless a major force in the '80s, even if most of the damage he did was off the mainstream charts. Or maybe thats a reason to admire him, as an artist who pumped out an impressive variety of music and graced us with haunting, unforgettable tracks like
Man Out of Time and
I Want You on top of an already legendary '70s catalogue.
Love him or hate him (and more music fans than ever may be leaning toward the latter after his recent, dreadful Disney contributions),
Phil Collins was a prototypical '80s superstar. He ruled the decade with his soft rock solo work, but, amazingly, also maintained an incredibly successful side job moonlighting as frontman for arena prog rockers
Genesis. The number of songs music fans heard during the '80s directly involving Collins was astounding; the number of good ones was more noteworthy.
Always one to choose the quirkier path than his one-time bandmate, both as frontman of the early version of Genesis and on his own,
Peter Gabriel also got his hands deeply into the '80s musical machinery. And although Ive never been a fan of his biggest hits (the overplayed
Sledgehammer and
Big Time), other classics of the era such as
Solsbury Hill,
Red Rain and
In Your Eyes simply increase their textured majesty through repeated plays. Let the heated Gabriel-Collins debates begin!
Along with Costello and Graham Parker, Jackson was one-third of the Three Angry Men on the English post-punk landscape. All were and continue to be vital singer-songwriters, but I think Jackson endures particularly well through his wide span of instrumental prowess as well as his wonderfully crotchety worldview. Even so, his early '80s output has the capacity to stun when Jackson tackles matters of the heart, especially in the beautiful
Breaking Us in Two or
You Cant Get What You Want.
As one of the few bona fide punk rock artists to make an unabashed leap into mainstream pop/rock, Idol exposed himself to plenty of criticism, but the singers unique brand of fist-pumping arena rock combined with a sneering, peroxide punk image somehow worked surprisingly well. Luckily for Idol, the quality of enduring classics like
White Wedding,
Eyes Without a Face and
Rebel Yell was pretty much equal to their popularity. Still, covering
Mony Mony was not the smartest decision.
This unique new wave band has never received the attention and adulation it deserves, so I take it upon myself to put a stop to that nonsense right here.
One Thing Leads to Another and
Saved by Zero were deserving pop hits, but the even better
Secret Separation and
Deeper and Deeper have always seemed a bit underrated and underplayed to me. Cy Curnin was a commanding frontman and passionate vocalist, but the band as a whole combined textured keyboards and power guitars in a way few other '80s artists dared.
The duo of Roland Orzabal and Curt Smith enjoyed plenty of '80s fruits during their prime, but like many other hitmakers of the time their best work somehow stayed too much in the shadows among pop music fans.
Everybody Wants to Rule the World and
Head Over Heels still stand as haunting classics, but I wish the darker
Mad World or
Change could have supplanted the underwhelming
Shout on mid-'80s playlists. Ah, but listeners have so much more freedom of choice today, right?